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The Rosie Result

Audiobook
5 of 5 copies available
5 of 5 copies available
Don and Rosie are back in Melbourne after a decade in New York, and they're about to face their most important project. Their son, Hudson, is having trouble at school: his teachers say he isn't fitting in with the other kids. Meanwhile, Rosie is battling Judas at work, and Don is in hot water after the Genetics Lecture Outrage. The life-contentment graph, recently at its highest point, is curving downwards. For Don Tillman, geneticist and World's Best Problem-Solver, learning to be a good parent as well as a good partner will require the help of friends old and new. It will mean letting Hudson make his way in the world, and grappling with awkward truths about his own identity. And opening a cocktail bar.
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    • Publisher's Weekly

      April 22, 2019
      Simsion concludes the Don Tillman trilogy (after The Rosie Effect), set in present-day Melbourne, with a whimsical tale of devoted, if rather unorthodox, parenting. Don’s 11-year-old son, Hudson, has some social difficulties, and Hudson’s teacher suggests the boy may be autistic. Don, who has been resistant to similar suggestions about himself, decides to help Hudson in ways he wished others had helped him when he was young. He leaves his job (after a well-meant lecture on genetics leads to him being misconstrued as racist), enlists assistance from friends and family, and develops a lesson plan, trying to teach his son ways to fit in. Meanwhile, Hudson is making changes and learning more about autism on his own, granting Don insight into himself and demonstrating how introspective a child can be. Don learns from his son that accepting oneself results in the ultimate happiness. Fans will find this sensitive and sometimes humorous look at Don’s relationship with his son to be the ideal ending to the trilogy. Agent: David Forrer, InkWell Management.

    • AudioFile Magazine
      Narrator Dan O'Grady achieves a unique performance as he portrays Professor Don Tillman, whose social anxiety and awkwardness are illuminated as his young son develops similar issues. Because this story is told in the first person by a character who doesn't have any vocal affect since Don doesn't know how to differentiate or express most emotions, O'Grady is tasked with delivering both hilarious and emotionally difficult lines without any tonal variation--from the protagonist or any of the other characters. But Don is a delightful character, and the flat delivery works. Even if listeners haven't heard the previous two audiobooks in this series, they can enjoy this one as the author catches everyone up quite nicely. A.R.F. © AudioFile 2019, Portland, Maine

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  • English

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